CONTEMPORARY ART BLING BLING MOTHERFUCKER

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HOW 2 ACCEPT SIMPLICITY / BY ULI$$E$ CARRILHO

DON'T WORRY CHILD AS IN 100 YEARS WE WILL ALL BE DEAD

<< Lambert's film, Heile Gänsje (translated Heal, Goose), is taken from an old German song in which the mother sings rather ominously 'don’t worry child as in 100 years we will all be dead’. Presented as a youth portrait of kinds, Heile Gänsje has a “fragmented and abstract narrative built around the subtle sensations experienced through deconstructing oneself and allowing the primal and visceral in.” >>

OH, ARTSY FARTSY BERLIN - YOU'RE MORE QUEER THAN JAMES FRANCO READY TO BALLET

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HELIO OITICICA

The innate disposition of appropriation

Katja Novitskova 

[Innate Disposition], 2012

digital print, plastic cutout display, 180 x 160, 80 cm.

‘Nature is over’, declared Time magazine last year, in its roundup of new ideas for the twenty-first century. That’s right. We are now, according to Nobel Prize-winning chemist Paul Crutzen, in the Anthropocene – a period in which humans are the dominant influence over biological, geological and chemical processes on earth.

Katja Novitskova 

[Free Market], 2012

found image of Orlando Toro, found image of a SLLIMM-nano intelligent power modules produced at STMicroelectronics factory in Catania, digital print on PVC, cutout advertisement display, 95 cm x 70 cm x 1 cm

Every artist who is under the age of forty that I know of, or know personally, appropriates quite regularly in their practice. It’s a result of myriad factors, perhaps the most obvious of which is the ubiquity of the internet as a matter-of-fact aspect of our everyday lives.